Synonyms for Anthony burgess:

Famous quotes with Anthony burgess

• The whole of English Lit. at the moment is being written by Anthony Burgess. He reviews all new books except those by himself, and these latter include such as and so on. Do you know him? He must be a kind of Batman of contemporary letters. I hope he doesn't take to poetry.

  Anthony Burgess
• So Anthony Burgess, contrary to popular mythology, was not after all a literary genius, a novelist of world-encompassing ambition, an essayist who assessed literary reputations with the final-word gravitas of a Recording Angel; nor was he a polymath and polyglot as we'd thought, a synthesiser of all mythologies, a walking compendium of modern thought, philosophy and theology, phrase and fable, a cigar-puffing, apoplectic Dr Johnson de nos jours, a monumental figure about whom it was said when he died in 1993, that (as Thackeray said about Swift) 'thinking of him is like thinking of an empire falling'. Nope, we were all wide of the mark. Don't you hate it when you get these things completely wrong?....Seen through [Lewis's] eyes, Burgess was a mendacious, drunken, impotent, vain, emotionless, puffed-up, talentless clown who neglected his first wife as she spiralled fatally into alcoholism, who lived abroad to avoid paying tax, and nursed a sentimental chip on his shoulder about not being sufficiently respected by the British establishment....In the presence of a genuinely great man, something odd happens to you - you feel older and wiser, worldlier and cleverer, and pleased with yourself just for being in his company....He was the sort of man who made you feel like cheering just because he existed, and there's nobody remotely like him around today. There are, unfortunately, more than enough Roger Lewises.

  Anthony Burgess
• He was a splendid chap. Everyone was fond of him...All his grandiose ways are an act. He was a sensitive man, John...It makes me angry to see him on television or in the paper, roaring away as Anthony Burgess, coarsening himself, travestying himself...denigrating his past and the man he was.

  Anthony Burgess
• About the eroticism of Anthony Burgess, it is interesting to notice that we never find ‘penetrative Eros’ either in twosome, threesome or a roomful of people. Anthony is, more than reticent, endowed with what used to be called ‘Christian modesty’ (which is also, Muslim, Jewish Orthodox Fundamentalism and Hindu, be it said). The grosser form of the sexual act is, very effectively, either - and this is more often the case - suggested by sequences of rhythmical images, as in Tremor of Intent when Miss Devi’s seduces Rupert Hillier in his ship cabine and her initial seduction followed by his response are evoked in a splendidly rhythmical crescendo (I’ve heard him read the pages aloud during a lecture given in Oklahoma or Denver), or, funnily and matter-of-factly, in a foreign language, as when, in a case of rape brought by Malay assistant against a small Chinese shopkeeper, her employer, while the prosecution goes on about "had he done this and he done that, and had there been any attempt to, shall we say, force his attention on her, and had he perhaps been importunate in demanding her favours"… The interpreter, having listened very patiently, just asks the girl, ‘Sudah masok?’ and she replies, quick as a flash, ‘Sudah.’

  Anthony Burgess
• Ultimately, Anthony Burgess's emphasis on the multiplicity of meanings latent in the text of Shakespeare's life foregrounds his own appropriation of Shakespeare … Clearly this is not an inconsistency on Burgess's part but a deliberate pointer at the inevitability of appropriating any given text, particularly that most irresistible one of Shakespeare's life.

  William Shakespeare

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