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What is another word for fonts?

Pronunciation: [fˈɒnts] (IPA)

Fonts are a critical aspect of any design project, from websites to printed material. While the word "font" is generally used to refer to the style, size, and weight of a typeface, there are many synonyms for this term that are commonly used by designers and typographers. Some of these include typeface, character set, lettering, script, handwriting, calligraphy, typography, and font family. Each of these terms refers to a particular aspect of the font or typeface, such as the design elements or the way the letters are formed. By using different synonyms, designers can more precisely communicate their ideas and achieve the desired effect in their designs.
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Synonyms for Fonts:

What are the paraphrases for Fonts?

Paraphrases are restatements of text or speech using different words and phrasing to convey the same meaning.
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What are the hypernyms for Fonts?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Usage examples for Fonts

Early English fonts are very often circular, and sometimes square, and they are often supported in much the same way as the Norman ones.
"Our Homeland Churches and How to Study Them"
Sidney Heath
Of Norman fonts we have large numbers.
"Our Homeland Churches and How to Study Them"
Sidney Heath
Both these subjects are of such a nature, that he is peculiarly happy to be able to add them to his imperfect account of the Antiquities of Normandy: the whole duchy does not contain a religious building more celebrated for its sanctity than the chapel; and while ancient fonts of any description are rare in the province, he doubts if another is to be found like that of Magneville, ornamented with sculpture and an inscription.
"Account of a Tour in Normandy, Vol. II. (of 2)"
Dawson Turner

Famous quotes with Fonts

  • I use emacs, which might be thought of as a thermonuclear word processor. It was created by Richard Stallman; enough said. It is written in Lisp, which is the only computer language that is beautiful. It is colossal, and yet it only edits straight ASCII text files, which is to say, no fonts, no boldface, no underlining. In other words, the engineer-hours that, in the case of Microsoft Word, were devoted to features like mail merge, and the ability to embed feature-length motion pictures in corporate memoranda, were, in the case of emacs, focused with maniacal intensity on the deceptively simple-seeming problem of editing text.
    Neal Stephenson

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