In the early eighties, savvy Japanese had been scouring Melrose for old leather jackets and jukeboxes, and nervous tourists would drive by to look at the punks with green mohawks; now the funny hairstyles looked as if they’d been done at the Beverly Center. Like a government-subsidized avant-garde, Sullivan had thought as he’d tooled his old van down the crowded avenue, affluent disenfranchisement is just galvanic twitching in a dead frog’s leg.
Tim Powers