What is another word for Matthew Arnold?

Pronunciation: [mˈaθjuː ˈɑːnə͡ʊld] (IPA)

Matthew Arnold was a renowned Victorian poet and critic. Synonymously, he could be referred to as a literary scholar, culture critic, or highbrow poet. His work often straddled the line between poetry and prose, and he was known for his piercing commentary on the state of society and the role of literature within it. Some might describe him as a pioneer of literary criticism, while others might simply label him as a writer with a keen eye for observation and a penchant for metaphor. Regardless of the label, Arnold's contributions to the literary canon are still revered today and continue to inspire new generations of writers and readers alike.

Synonyms for Matthew arnold:

What are the hypernyms for Matthew arnold?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Famous quotes with Matthew arnold

  • One could divine pretty nearly where the force lay, since the last ten years had given to the great mechanical energies — coal, iron, steam — a distinct superiority in power over the old industrial elements — agriculture, handwork, and learning; but the result of this revolution on a survivor from the fifties resembled the action of the earthworm; he twisted about, in vain, to recover his starting-point; he could no longer see his own trail; he had become an estray; a flotsam or jetsam of wreckage; a belated reveller, or a scholar-gipsy like Matthew Arnold's. His world was dead. Not a Polish Jew fresh from Warsaw or Cracow — not a furtive Yacoob or Ysaac still reeking of the Ghetto, snarling a weird Yiddish to the officers of the customs — but had a keener instinct, an intenser energy, and a freer hand than he — American of Americans, with Heaven knew how many Puritans and Patriots behind him, and an education that had cost a civil war.
    Henry Adams
  • Goethe, as lately quoted by Matthew Arnold, said those who have science and art have religion; and added, let those who have not science and art have the popular faith; let them have this escape, because the others are closed to them. Without any hold upon the ideal, or any insight into the beauty and fitness of things, the people turn from the tedium and the grossness and prosiness of daily life, to look for the divine, the sacred, the saving, in the wonderful, the miraculous, and in that which baffles reason. The disciples of Jesus thought of the kingdom of heaven as some external condition of splendor and pomp and power which was to be ushered in by hosts of trumpeting angels, and the Son of man in great glory, riding upon the clouds, and not for one moment as the still small voice within them. To find the divine and the helpful in the mean and familiar, to find religion without the aid of any supernatural machinery, to see the spiritual, the eternal life in and through the life that now is--in short, to see the rude, prosy earth as a star in the heavens, like the rest, is indeed the lesson of all others the hardest to learn.
    John Burroughs
  • He was a crank but not a bore, for his was a first-class mind and he had, above all, insight and depth, as no man in my generation had. No man in China wrote English the way he did, because of his challenging ideas and because of his masterly style, a style reminiscent of Matthew Arnold's poised and orderly evolution of ideas and repetition of certain phrases, plus the dramatic bombast of Thomas Carlyle and the witticisms of Heine.
    Gu Hongming
  • I am told [Mrs. Coates] bears me in mind and is of a disposition to look with something of favor on my work—which I might say, quoting one of William's playful quips, 'shows her good sense.' They tell me Mrs. Coates is quite a woman among women—is beautiful, shines with great brightness, and, by those who know her well, is admired and cherished...(93) I don't know Mr. Coates but I know the wife—a beautiful, true woman, I have always believed her. We have had several talks together—or maybe only one talk: I am not clear about that now—but I shall always remember what she said—the effect of her talk, which was mainly about Matthew Arnold, who was her guest in Germantown. Arnold is a man for whom I never seem to be able to get up any stir—with whom I never have had and never could have a thorough-going affinity. But Mrs. Coates gave me the other side of him—the social side, the personal side, the intellectual side—the side of deportment, behavior—the side which I ought perhaps most to hear about and did willingly and gladly hear of from her. For every man has that better thing to be said of him—is entitled to all it may mean, signify, explain...(112) Yes, tell the Coates people—Mrs., Mr. Coates—to come over: I will see them...(156) I saw [Mr. and Mrs. Coates]—was glad to see them: both of them are so good, cordial, sincere—she particularly. It does my old eyes good to look at such a woman...(215) The letter [Mrs. Coates had sent to me] that came with [the poem, "The Promised Land"] was very hospitable, forth-giving: I liked it: indeed, the letter was a better poem than the poem: a real poem, in fact...(396)
    Florence Earle Coates
  • When we look at the age in which we live—no matter what age it happens to be—it is hard for us not to be depressed by it. The taste of the age is, always, a bitter one. “What kind of a time is this when one must envy the dead and buried!” said Goethe about his age; yet Matthew Arnold would have traded his own time for Goethe’s almost as willingly as he would have traded his own self for Goethe’s. How often, after a long day witnessing elementary education, School Inspector Arnold came home, sank into what I hope was a Morris chair, looked ’round him at the Age of Victoria, that Indian Summer of the Western World, and gave way to a wistful, exacting, articulate despair! Do people feel this way because our time is worse than Arnold’s, and Arnold’s than Goethe’s, and so on back to Paradise? Or because forbidden fruits—the fruits forbidden to us by time—are always the sweetest? Or because we can never compare our own age with an earlier age, but only with books about that age? We say that somebody doesn’t know what he is missing; Arnold, pretty plainly, didn’t know what he was having. The people who live in a Golden Age usually go around complaining how yellow everything looks. Maybe we too are living in a Golden or, anyway, Gold-Plated Age, and the people of the future will look back at us and say ruefully: “We never had it so good.” And yet the thought that they will say this isn’t as reassuring as it might be. We can see that Goethe’s and Arnold’s ages weren’t as bad as Goethe and Arnold thought them: after all, they produced Goethe and Arnold. In the same way, our times may not be as bad as we think them: after all, they have produced us. Yet this too is a thought that isn’t as reassuring as it might be.
    Randall Jarrell

Related words: Matthew Arnold poems, Matthew Arnold biography, Matthew Arnold critical analysis, Matthew Arnold summary, Matthew Arnold poems online, Matthew Arnold quotes

Related questions:

  • Who was matthew arnold?
  • What are the best poems by matthew arnold?
  • What is the scope of matthew arnold's work?
  • What is the significance of matthew arnold's work?
  • What are some famous lines from the poet?
  • Word of the Day

    Chases sign
    The term "Chases sign" refers to a linguistic phenomenon known as synonymy, wherein multiple words or phrases are used interchangeably to convey a similar meaning. Synonyms for "Ch...