What is another word for sonorities?

Pronunciation: [sənˈɒɹɪtiz] (IPA)

Sonorities are melodious sounds, often with richness and resonance. Synonyms for sonorities can include harmonies, timbres, diverse tones, and sonances. Harmonies refer to pleasing combinations of sounds and can be used interchangeably with sonorities. Timbres refer to the quality and color of sound, adding a more nuanced meaning to sonorities. Diverse tones can reflect the range and complexity of the soundscape and the variety of instruments used. Sonances evoke a sense of musicality and expressiveness that are inherent to sonorities. These synonyms help to describe the different facets of sonorities and enrich our understanding and appreciation of music.

What are the opposite words for sonorities?

The word sonorities refers to the quality of being full, deep, and rich in sound. Some antonyms of sonorities include silence, inaudibility, faintness, quietness, softness, and thinness. Silence is the complete absence of sound, whereas inaudibility means that sound is present but cannot be heard. Faintness and quietness describe sounds that are weak or low in volume compared to sonorous ones. Softness means that sound is gentle and not loud. Lastly, thinness denotes a lack of fullness or depth in sound, making it difficult for the sound to be heard clearly. These antonyms describe sounds that are not rich, deep, or loud like sonorous ones.

What are the antonyms for Sonorities?

Usage examples for Sonorities

All are familiar with the wonderful crescendo which precedes the appearance of the Knight of the Swan, in Lohengrin, where the sonorities are augmented by gradual additions of voices and instruments until the culminating point is reached.
"Style in Singing"
W. E. Haslam
One may still criticise the grouping of orchestras at concerts, for it is often defective; there is a disproportion between the different families of instruments and, in consequence, between their different sonorities, some of which are too thin and others too dull.
"Musicians of To-Day"
Romain Rolland Commentator: Claude Landi
This air corresponded superficially with her acquired Calabrian sonorities, from her voluminous title down, but the colourless hair, the passionless forehead, the mild cheek and long lip of the British matron, the type that had set its trap for her earlier than any other, were elements difficult to deal with and were at moments all a sharp observer saw.
"The Awkward Age"
Henry James

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