Without laying upon the ladies the tiresome necessity of pressing him, the composer plunged into this masterpiece, and Gerald sat back again, wondering what the little man thought of hearing himself called Italo by the fair forestiera.
"Aurora the Magnificent"
Gertrude Hall
The place was imaginary, and the artist not altogether clear, but the features of the second figure which he saw, the visitor at the studio, were well-known to him, and the sentiments of the artist receiving the order to treat a subject in four large panels for a rich forestiera not difficult to estimate.
"Aurora the Magnificent"
Gertrude Hall