In the first place, a considerable variety of pitches is no doubt represented in both groups since a universal pitch standard did not exist in the 16th and 17th centuries.
"Italian Harpsichord-Building in the 16th and 17th Centuries"
John D. Shortridge
She pitches it pretty warm on the affection-stop, I can tell you.
"Hilda Wade A Woman With Tenacity Of Purpose"
Grant Allen
With the help of the car hood, the first two pitches were easy.
"A Matter of Proportion"
Anne Walker