Elizabeth, for example, during the Postlude of the duet with Tannhauser in the second act, has to justify the re-entry of the tender theme in the clarinet in slower tempo by looking-as is indicated in the score-after Tannhauser in the court of the castle and by beckoning to him.
"Correspondence of Wagner and Liszt, Volume 1"
Francis Hueffer (translator)
The "Entrance of the young Duke of York" is a pretty, boyish, scherzo-like little number; and "In Baynard Castle" is a serious, organ-like piece of music all on a pedal, and rather like a conventional Postlude.
"Shakespeare and Music"
Christopher Wilson
The organist began his Postlude immediately after the benediction and the people began to go out.
"In His Steps"
Charles M. Sheldon