What is another word for semidarkness?

Pronunciation: [sˈɛmɪdˌɑːknəs] (IPA)

Semidarkness is a term that describes a state of partial darkness. It is a condition when there is not enough light to see everything clearly, but one can still make out the shapes and movements around them. There are many synonyms for semidarkness that can be used interchangeably, depending on the context. These include words like dimness, duskiness, shadow, obscurity, murkiness, opacity, and gloaming. Each of these words has a slightly different connotation and can be used to convey different moods or emotions. Dimness, for example, suggests a soft, subdued light, while murkiness implies a more oppressive, murky feeling. Whatever word one chooses, it's important to use the right synonym for the intended meaning.

What are the hypernyms for Semidarkness?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Semidarkness?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.
  • hyponyms for semidarkness (as nouns)

What are the opposite words for semidarkness?

The word "semidarkness" refers to a state of partial darkness, where there is enough light to see but it is not completely bright. Antonyms for semidarkness include brightness, radiance, luminosity, brightness, lightness, and brilliance. These words describe a state of being well-lit, illuminated, and glowing with light. They convey feelings of joy, energy, and positivity. They are often used in describing a sunny day, a bright smile, or a vibrant and lively atmosphere. While semidarkness can create a mood of melancholy, these antonyms evoke a sense of cheerfulness and happiness. It is important to note that these antonyms are not opposites but rather contrasting descriptors.

What are the antonyms for Semidarkness?

Usage examples for Semidarkness

He peered, in the semidarkness, at the battered door behind the bar.
"Nan of Music Mountain"
Frank H. Spearman
Instead, in the semidarkness a strange face bent over him.
"Nan of Music Mountain"
Frank H. Spearman
Without answering, the two were retreating into the semidarkness of the dining-room.
"Nan of Music Mountain"
Frank H. Spearman

Famous quotes with Semidarkness

  • There was no question in Tristam’s mind now that if one stared into the semidarkness long enough one would find whatever one sought. What the eye could not locate the mind would manufacture.
    Sean Russell
  • Darling, Juan de Dios Martínez would say to her sometimes, sweetheart, love, and in the darkness she would tell him to be quiet and then suck every last drop from him- of semen? of his soul? of the little life he felt, at the time, remained to him? They made love, at her express request, in semidarkness.
    Roberto Bolaño
  • I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.
    Alain de Botton

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