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What is another word for literary criticism?

Pronunciation: [lˈɪtəɹəɹi kɹˈɪtɪsˌɪzəm] (IPA)

There are several terms that can be used as synonyms for the term "literary criticism." Some of these include "literary analysis," which refers to the process of critically examining a piece of literature to understand its meaning, themes, and literary devices. Another synonym is "literary interpretation," which involves exploring the possible meanings and interpretations of a text. "Literary evaluation" is also another synonym, which refers to the process of assessing the quality and value of a literary work. Other synonyms for literary criticism include "literary commentary," "literary review," and "literary appraisal." Ultimately, these terms all describe the process of critically examining and assessing a work of literature.
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Synonyms for Literary criticism:

What are the hypernyms for Literary criticism?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Literary criticism?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.

Famous quotes with Literary criticism

  • Much literary criticism comes from people for whom extreme specialization is a cover for either grave cerebral inadequacy or terminal laziness, the latter being a much cherished aspect of academic freedom.
    John Kenneth Galbraith
  • The point of literary criticism in anthropology is not to replace research, but to find out how it is that we are persuasive.
    Clifford Geertz
  • There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.
    Anne Stevenson
  • I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?
    Dana Gioia
  • When you sit down to Macaulay, remember that the Essays are really flashy and superficial. He was not above par in literary criticism; his Indian articles will not hold water; and his two most famous reviews, on Bacon and Ranke, show his incompetence. The essays are only pleasant reading, and a key to half the prejudices of our age. It is the History (with one or two speeches) that is wonderful. He knew nothing respectably before the seventeenth century, he knew nothing of foreign history, of religion, philosophy, science, or art. His account of debates has been thrown into the shade by Ranke, his account of diplomatic affairs, by Klopp. He is, I am persuaded, grossly, basely unfair. Read him therefore to find out how it comes that the most unsympathetic of critics can think him very nearly the greatest of English writers.
    Thomas Babington Macaulay

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