What is another word for maya?

Pronunciation: [mˈa͡ɪ͡ə] (IPA)

Maya is a word with several different meanings and interpretations. As a name, it is often derived from Sanskrit and means 'illusion' or 'delusion'. However, it can also be used as a synonym for other concepts, such as 'mystery', 'enigma', 'confusion', 'deception', or 'trickery'. Depending on the context, it may represent something elusive, mystical, or supernatural, or simply something that is hard to grasp or understand. Other synonyms for maya could include 'illusionary', 'illusory', 'phantasmagoric', 'chimerical', 'fantastical', 'unreal', 'dream-like' or 'illusional'. Ultimately, the word maya can be used to describe anything that is deceptive or misleading, either by design or by nature.

Synonyms for Maya:

What are the paraphrases for Maya?

Paraphrases are restatements of text or speech using different words and phrasing to convey the same meaning.
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  • Equivalence

    • Proper noun, plural
      Mayas, mayans.
  • Reverse Entailment

    • Proper noun, singular
      mayan.
  • Other Related

What are the hypernyms for Maya?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Maya?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.

What are the holonyms for Maya?

Holonyms are words that denote a whole whose part is denoted by another word.

Usage examples for Maya

Columbus met individuals in Cuba who had visited Hayti, Jamaica and Yamaya, the maya land or Yucatan.
"The American Nations, Vol. I."
C. S. Rafinesque
We gave up, and while he continued rolling out tremendous maya, we fell asleep.
"Incidents of Travel in Yucatan, Vol. I."
John L. Stephens
Holy men and saints are sought about anxiously, but they were deceived by maya.
"The Ethnology of the British Colonies and Dependencies"
Robert Gordon Latham

Famous quotes with Maya

  • Like most philosophers, Kant worked to shore up the conventional beliefs of his time. Schopenhauer did the opposite. Accepting the arguments of Hume and Kant that the world is unknowable, he concluded that both the world and the individual subject that imagines it knows it are maya, dreamlike constructions with no basis in reality. ... Schopenhauer accepted the sceptical side of Kant's philosophy and turned it against him. Kant demonstrated that we are trapped in the world of phenomena and cannot know things in themselves. Schopenhauer went one step further and observed that we ourselves belong in the world of appearances. Unlike Kant, Schopenhauer was ready to follow his thoughts wherever they led. Kant argued that unless we accept that we are autonomous, freely choosing selves we cannot make sense of our moral experience. Schopenhauer responded that our actual experience is not of freely choosing the way we live but of being driven along by our bodily needs - by fear, hunger and, above all, sex.
    John Gray (philosopher)
  • So, too, in the Vedanta the whole world is seen as the lila and the maya of the Self, the first word meaning "play" and the second having the complex sense of illusion (from the Latin ludere, to play), magic, creative power, art, and measuring—as when one dances or draws a design to a certain measure. From this point of view the universe in general and playing in particular are, in a special sense, "meaningless": that is, they do not—like words and symbols—signify or point to something beyond themselves, just as a Mozart sonata conveys no moral or social message and does not try to suggest the natural sounds of wind, thunder, or birdsong.
    Alan Watts
  • With his sense of the ridiculous anchored in the Buddhist doctrine of emptiness, therefore, the author mocks all the monsters as he mocks all the pilgrims and celestials in the book. Not only is everything infinitely amusing to his observant eye, but in the ultimate religious sense everything that exists is but maya [illusion] with which we are infatuated. Even the most serious character and the one nearest to approaching an understanding of emptiness, Monkey himself, is not spared this affectionate ridicule. To readers conditioned to accept the reality of literary fiction, this attempt at constant negation can be at times very unsettling. Writing from the Christian viewpoint which accords reality to every soul be it suffering eternal damnation in hell or rejoicing in eternal bliss in paradise, Dante has created a massive comedy of substantial reality designed to elicit our strongest emotional responses. Wu Ch'eng-en, on the other hand, provides in episode after comic episode the illusion of mythical reality, but then inevitably exposes the falsehood of that reality in furtherance of his Buddhist comedy.
    Wu Cheng'en
  • I feel the hot winds of karma driving me. Nevertheless I remain here. My training was correct: I must not shrink from the clear white light, for if I do, I will once more re-enter the cycle of birth and death, never knowing freedom, never obtaining release. The veil of maya will fall once more.
    Philip K. Dick

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