If we read the narrative given us in the Gospels of the death of Christ, and the circumstances that led to it, we see that the sacrificial idea is not kept in the foreground.
"The Expositor's Bible: The Gospel of St. John, Vol. I"
Marcus Dods
In the nights, at all events, there is no confusing of issues, no foreground to obscure the vision.
"The Furnace"
Rose Macaulay
To the left, in the foreground, a door; another door in the background, at the left.
"Contemporary One-Act Plays Compiler: B. Roland Lewis"
Sir James M. Barrie George Middleton Althea Thurston Percy Mackaye Lady Augusta Gregor Eugene Pillot Anton Tchekov Bosworth Crocker Alfred Kreymborg Paul Greene Arthur Hopkins Paul Hervieu Jeannette Marks Oscar M. Wolff David Pinski Beulah Bornstead Herma